| Language | English |
|---|---|
| ISBN-10 | 81-291-0798-8 |
| ISBN-13 | 978-8129107985 |
| No of pages | 174 |
| Font Size | Medium |
| Book Publisher | Rupa Publications India |
| Published Date | 01 Nov 2030 |
About Author
Related Books
| Language | English |
|---|---|
| ISBN-10 | 81-291-0798-8 |
| ISBN-13 | 978-8129107985 |
| No of pages | 174 |
| Font Size | Medium |
| Book Publisher | Rupa Publications India |
| Published Date | 01 Nov 2030 |
William Shakespeare (baptized on April 26, 1564 to April 23, 1616) was an English playwright, actor and poet and is often called England’s national poet. Born in Stratford-upon-Avon, England, he was an important member of the Lord Chamberlain’s Men company of theatrical players from roughly 1594 onward.
Written records give little indication of the way in which Shakespeare’s professional life molded his artistry. All that can be deduced is that, in his 20 years as a playwright, Shakespeare wrote plays that capture the complete range of human emotion and conflict.
Known throughout the world, the works of William Shakespeare have been performed in countless hamlets, villages, cities and metropolises for more than 400 years. And yet, the personal history of William Shakespeare is somewhat a mystery.
There are two primary sources that provide historians with a basic outline of his life. One source is his work — the plays, poems and sonnets — and the other is official documentation such as church and court records. However, these only provide brief sketches of specific events in his life and provide little on the person who experienced those events.
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King Lear is, in its picture of the tragic effect of human weakness and human cruelty, the most overpowering of the works of Shakespeare. It was written about 1605, in the middle of that period of his activity when he was interested, for whatever reason, in portraying the suffering and disaster that are entailed by defects of character, and the terrible cost at which such defects are purged away; and not even "Hamlet" displays these things so irresistibly.
The germ of the story is found in the folk-lore of many ages and countries. Attached to the name of Lear, the legend assumed pseudo-historical form with Geoffrey of Monmouth in the twelfth century, was handed down through the long line of Latin and English chroniclers, appeared in collections of tales, found a place in Spenser's "Faerie Queened," and was dramatized by an anonymous playwright about ten years before the date of Shakespeare's drama.
To Shakespeare himself is due the tragic catastrophe which takes the place of the traditional fortunate ending, according to which the French forces were victorious, and Lear was restored to his kingdom. He first makes Lear go mad; invents the banishment of Kent and his subsequent disguise; creates the Fool; and, finally, connects with Lear the whole story of Gloucester and his sons.