Language | English |
---|---|
ISBN-10 | 0-09-957861-1 |
ISBN-13 | 9780099578611 |
No of pages | 287 |
Font Size | Medium |
Book Publisher | vintage |
Published Date | 18 May 1995 |
One of the most celebrated writers of our time, SALMAN RUSHDIE is the author of ten previous novels— Grimes, Midnight's Children (for which he won the Booker Prize in 1981, the Booker of Bookers in 1993, and, in 2008, the Best of the Booker),
Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, and The Enchantress of Florence.
He has also published four works of non-fiction, a collection of short stories, and edited two fiction anthologies.
In June 2007, Rushdie was appointed a Knight Bachelor by Queen Elizabeth II for services to literature. He holds the rank Commandeer in the Ordre des Arts et des Letters of France and began a five-year term as Distinguished Writer in Residence at Emory University in 2007.
In May 2008, he was elected to the American Academy of Arts and Letters, and also in 2008, the London Times ranked Rushdie thirteenth on their list of ""The 50 greatest British writers since 1945".
For two years he served as president of The PEN American Center, the world's oldest human rights organization, and is the chair of PEN's World Voices Festival of International Literature, an annual literary festival he began in New York in 2001. Rushdie is currently working on the film version of Midnight's Children.
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The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie’s phantasmagoric epic Omar Khayyam Shakil had three mothers who shared everything. They shared the symptoms of pregnancy, they shared the son that they all claim to have borne on the same night. Raised at their six breasts, Omar's mothers teach him to live a life without shame. And it is training that proves very useful when he leaves his mothers’ fortress and makes the fateful mistake of falling in love.
For he finds himself an unwitting player in an ongoing duel between the families of two men – one a celebrated wager of war, the other a debauched lover of pleasure – living in a world caught between honor and humiliation, where a moment of shame could prove fatal. ‘Shame is every bit as good as Midnight's Children. It is a pitch-black comedy of public life and historical imperatives’ The Times