Language | English |
---|---|
ISBN-10 | 9780224102162 |
ISBN-13 | 9780224102162 |
No of pages | 288 |
Font Size | Medium |
Book Publisher | Jonathan Cape |
Published Date | 21 Apr 2016 |
Violent, loud, obscene; funny, honest, intelligent – Irvine Welsh’s literature is all this and more. Born into working-class Edinburgh, Welsh attended Heriot-Watt University in the city, where, it is said, he started writing his first and most famous novel Trainspotting.
His portrait of young heroin users living on the edge of society – on the edge of life – was famously filmed in 1996.
Writing predominantly in Scots vernacular, and writing about issues which will be familiar to anyone growing up in working-class Scotland over the last few decades, his novels and short stories are nonetheless popular across the UK and further afield.
Irvine Welsh is now a partner in a film production company, 4 Ways. Porno, is a sequel to Trainspotting, and in 2012 a prequel, Ska boys was published.
As well as his novels, Welsh has written a number of short story collections, most recently Reheated Cabbage.
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Jim Francis has finally found the perfect life – and is now unrecognisable, even to himself. A successful painter and sculptor, he lives quietly with his wife, Melanie, and their two young daughters, in an affluent beach town in California. Some say he’s a fake and a con man, while others see him as a genuine visionary.
But Francis has a very dark past, with another identity and a very different set of values. When he crosses the Atlantic to his native Scotland, for the funeral of a murdered son he barely knew, his old Edinburgh community expects him to take bloody revenge. But as he confronts his previous life, all those friends and enemies – and, most alarmingly, his former self – Francis seems to have other ideas.
When Melanie discovers something gruesome in California, which indicates that her husband’s violent past might also be his psychotic present, things start to go very bad, very quickly.
The Blade Artist is an elegant, electrifying novel – ultra violent but curiously redemptive – and it marks the return of one of modern fiction’s most infamous, terrifying characters, the incendiary Francis Begbie from Trainspotting.