Language | English |
---|---|
ISBN-10 | 81-291-0750-3 |
No of pages | 118 |
Book Publisher | i-Read Publications |
Published Date | 01 Jan 1998 |
William Shakespeare (baptized on April 26, 1564 to April 23, 1616) was an English playwright, actor and poet and is often called England’s national poet. Born in Stratford-upon-Avon, England, he was an important member of the Lord Chamberlain’s Men company of theatrical players from roughly 1594 onward.
Written records give little indication of the way in which Shakespeare’s professional life molded his artistry. All that can be deduced is that, in his 20 years as a playwright, Shakespeare wrote plays that capture the complete range of human emotion and conflict.
Known throughout the world, the works of William Shakespeare have been performed in countless hamlets, villages, cities and metropolises for more than 400 years. And yet, the personal history of William Shakespeare is somewhat a mystery.
There are two primary sources that provide historians with a basic outline of his life. One source is his work — the plays, poems and sonnets — and the other is official documentation such as church and court records. However, these only provide brief sketches of specific events in his life and provide little on the person who experienced those events.
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If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.